Cosmopolitan Modernisms

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Cosmopolitan Modernisms.pdf

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Descriptions : p b Moments of crisis and innovation in modernism s cross cultural past from the reception of modernist art in colonial India to the experience of African American artists in the New York art world of the s b This first book in the Annotating Art s Histories series revisits the period in which modernist attitudes took shape examining the ways in which a shared history of art and ideas was experienced in different nations and cultures Original essays by leading art historians and curators trace the dynamic interplay of cultures across the story of modern art looking at moments of crisis and innovation in modernism s cross cultural past An account of colonialism and nationalism in Indian art from the s to the s for example suggests that cultural identities are constantly modifying one another in the very moment of their encounter and points to primitivism as a counter discourse to modernism A collision between modernism and colonialism in the design of a Bauhaus model housing project reveals the volatile conditions of European modernism in the s Discussions of the abstract painting of Norman Lewis and the collages of Romare Bearden illustrate the conflicted experiences and multiple affiliations of African American artists in the New York art world of the s and s The first English translation of an influential essay in the Brazilian neoconcrete movement of the s takes up concerns similar to those of North American minimalism in the s These and the other journeys into modernism s past described in Cosmopolitan Modernisms return to our contemporary moment with questions about modern art and modernity that we are only beginning to ask Copublished with inIVA Institute of International Visual Arts London










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